It was lunchtime, and since our bookstore is in a state of massive renovation, the book buyers were having a sales meeting in the break room where the rest of us eat lunch. I was attempting to ignore the ordering discussions by reading the second in the George R. R. Martin’s Song of Ice and Fire series, A Clash of Kings, when the sales rep, Larry, asked me a question.
“What are you reading?”
“It’s a George R. R. Martin book,” I said. “The one right after A Game of Thrones, which HBO just made into a series.”
“Really? I didn’t think Martin was big on other writers touching his characters.”
“He’s not,” said Larry. “But he liked what my son did. In fact, he said that if Marvel ever wants to adapt any of his other things, my son is the only one he’ll trust to do the job.”
“Wow,” said I. “Do you think Ben would be willing to do an interview with me for my blog?”
“You should ask him.”
So I did.
1. How did you get into writing?
I’ve always been writing and telling stories, since I was old enough to string sentences together. And I was always making comics, although I got impatient with how much time it took to draw them. Professionally, after I graduated college, I just started writing comics with some friends and made some contacts with artists, and that led to me getting to do a try out for a writing gig, which turned into my first professional writing: George R. R. Martin’s The Hedge Knight.
2. You did the comic book adaptation for George R. R. Martin’s Hedge Knight series. Martin is well-known for not wanting anyone else touching his works or characters. How did you come to work on his books through Marvel Comics?
Well, it wasn’t originally published by Marvel. Originally, a studio got the license from Mr. Martin, and they shopped it around to publishers, with Image taking it up at first. Then, after some weirdness with Image, it was moved to Devil’s Due, and after some weirdness THERE, Marvel picked it up.
Now, how did that original studio get the license? They promised to be true to his original story. And that’s how I got the job, too. I worked hard to make my sample script as close to his story as possible. In fact, the first six pages of The Hedge Knight is almost exactly what my sample script was. Mr. Martin appreciated how hard I worked to stay true to the original. The way I see it, on a job like that, my job is to be invisible. My job is to give something to the artist that allows them to shine, and to spotlight the original. After all, it’s George R.R. Martin’s The Hedge Knight, not Ben Avery’s.
3. How does your writing change when adapting someone else’s work as opposed to working on an original series?
If I am working on something not original with me, either a true life story, history, someone’s fictional story, or the Bible, my goal is to keep the integrity of their story within a new medium. That does mean some changes have to be made, but I will do my best to make sure changes in the format or length do not change the heart of the story.
So my job is to choose what comes out to shorten it. Or what needs to be added because comics are a visual medium. Transitions in one medium have to be done differently.
It’s not always easy, but it’s fun.
4. What do you want people to know about you aside from your writing?
This is a tough question. I mean, it’s not like I’m a private person. I just can’t think of something I particularly want people to know. I guess I could use this to say I also podcast . . . I host a podcast about sci-fi, fantasy, and Christianity. The podcast is called Strangers and Aliens and it’s a lot of fun talking about the spiritual themes found in the tv shows, comics, and movies we enjoy.
5. Any advice for other writers?
Get a good editor. Find a person or people who you trust to be honest with you and also know grammar and story. Set them loose on what you’ve written.
This person should not be your mother, unless she’s able to separate you the child room you the writer. This person should not be your spouse, or your best friend, or your grandmother unless they are able to really look at the work and forget your relationship.
This is especially important if you are self-publishing or going through some sort of digital publishing service with no editorial oversight. The digital age makes it possible for everyone to do anything, it seems, but unfortunately, that means that far too many people feel like they are masters of everything, too. But I would say that even a master editor, when they take on the role of writer, needs someone who can edit their writing.
6. If you could have an afternoon with a character from one of your works, who would you choose? Why?
The Timeflyz, from my all ages graphic novel series. First, I like them. I’d enjoy hanging out with them — of all my characters, these are the characters who surprise me the mist with their actions and reactions to my plots. Second, I’d love for them to tell me about some of the people they have met in their travels through time. And maybe I could convince them to take me along with them for a short trip . . .
7. What is your writing space like?
It’s a mess. A serious, serious mess. Sadly. Eventually, we’re going to get the money to move my office downstairs and shuffle around all our bedrooms. When we do that, I give the new office three weeks before it’s a mess. A serious, serious mess.
I do, however, often leave the house to work in places like our local grocery store’s cafe and Starbucks or something like that. I often need the change of scenery, but also I need to have people around me . . . Just not people I am responsible for.
8. What book is on your nightstand at the moment?
I’m reading The Skin Map by Stephen Lawhead right now. There are other books on my nightstand, but this is the one I am actually reading. I’ve been a big fan of Lawhead since his earliest writings, when he was doing sci-fi instead of fantasy, and followed him through his fantasy books, but in the last decade or so I haven’t read any of his new books. I’m playing catch up now. Also right there is Eion Colfer’s And Another Thing, the sixth book in the Hitchhikers Guide to the Galaxy, but I just haven’t been able to bring myself to read it. It’s just not the same, a non-Douglas Adams chronicle of Arthur Dent and Zaphod and Marvin.
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If you’d like to know more about Ben Avery, check out his website (http://benavery.com). Thanks for reading!