If LOTR Races Were Writers…

I was looking through my old posts for some inspiration. Yesterday, I blogged about some good reasons to give up blogging. I left out a reason.

Most of the time, you write into the void, hoping that one or two people will read your words but knowing that even if they do, they won’t read them again and all of your effort will be wasted.

And so I feel compelled to share some of my favorite past posts. If you are new to my blog, you are welcome to go back and read from the beginning, but I’m going to save you some work and just share the things that I think are worth sharing.

The post below was originally published on January 31, 2013.

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lotr_writers

I am a nerd. I wear this badge proudly. I can speak knowledgeably about Star Wars, Star Trek, and the Lord of the Rings. Yes, I can even talk about the Silmarillion. And so, it should come as no surprise that I think about questions like this:

If each race from Lord of the Rings represented a type of writer,
to which race would I belong?

Of course, before I can answer that question, we need to look at what type of writer each race might represent.

lego_hobbitHobbits

Hobbits are gifted storytellers, lovers of simplicity, and they value a good party as much, or more than, a hard day’s work. As writers, they are often distracted by social engagements, but this makes their writing richer… when they get around to it. Don’t forget that the writer of The Hobbit was a hobbit.

lego_elfElves

Elves are a poetic race with a tongue that is beautiful to listen to, but difficult to understand. They compose epic poems praising high ideals and their knowledge of obscure history is secondary only to the Valar and Maiar themselves. The fact that they do not age and cannot die unless mortally wounded or heartbroken assists them in having a longer perspective than men. As writers, words come easily to them, but their high literature is not accessible and is often shunned by the mainstream. That is okay with them, as they would rather their Rivendells be hidden away from average eyes anyway.

Dwarveslego_dwarf

Dwarves are fans of action and gold. They carve stories out of the living stone of imagination, crafting complex structures that impress all who see them. They are concerned with the details and how elements fit together. Dwarves are a serious race, not grim, but focused. Every now and again though, they dig too greedily and awaken things best left asleep. As writers, they are know how tell a good, axe-wielding fight scene and have great attention to detail. Their books are often bestsellers and go on to live comfortably on the silver screen as well as they do on the page.

Menlego_man

Of all the races, men are the shortest-lived. In other words, men are entirely forgettable. Their end is a mystery, for they neither dwell in the Halls of Mandos like elves, nor return to the earth from which they sprang forth like dwarves. Being short-lived, men are often also short-sighted. As writers, men do not use outlines and often have no idea where their story will end. They simply write to see where the journey to take them.

Pukel-menlego_pukelman

Don’t remember the pukel-men? They weren’t in the movie version of LOTR, so if that is your only reference point, you won’t have any idea who I’m talking about. Technically speaking, the Pukel-men, or Drúedain,  are counted among the first men who walked on Middle-earth. They resembled Neanderthals, were friendly with Elves of the first age, and hate orcs with a passion. They are a secretive race and wish to be left in peace. In the war of the One Ring, their leader, Ghân-buri-Ghân, played a vital role, guiding the Rohirrim to the Battle of the Pelennor Fields. If that hadn’t happened, the war against Sauron would have been lost. As writers, the Pukel-men are ultra-niche, keeping to themselves, wanting no influence in the outside literary world.

Entslego_ent

Ents are a long-winded race. It takes hours to finish a sentence, days to finish a paragraph, and many seasons to tell a whole story. Though they speak slowly, they say the things that must be said. And once they get into a groove, nothing can get them off course. As writers, they are not hasty. They write slowly and thoughtfully, but their stories are always worth reading. I believe Tolkien himself had a bit of Entish blood (sap?) running through his veins, as it took him about twelve years to write LOTR.

Wizardslego_wizard

Strictly speaking, wizards aren’t writers at all, but editors. These are the wise folk who know the land, can see the needs of the time, and offer guidance to those wise enough to listen. They speak all languages and give of themselves freely for the good of the quest.

Now, I realize that these are only the main races of LOTR and that I haven’t covered any of the bad guys. Maybe I’ll do that in another post. In any case, now that I’ve laid out the races and the types of writers they represent, I must admit that I am a hobbit. I am often distracted by the happenings within my life and find it difficult to simply sit and write for hours on end. lego_gollumThough, perhaps that is for the best. Were I to become too focused on something, I may turn into another race altogether, referring to my writing as “precious” and viciously attacking anyone who came between it and I.

No, I think I am happy as a hobbit, but even more so because I am surrounded by a fellowship made up of each race. I value my writers group, the Weaklings, and know that if my quest to become a published author is to be realized, I must draw from the strengths of my companions.

What are you?

If LOTR Races Were Writers…

I am a nerd. I wear this badge proudly. I can speak knowledgeably about Star Wars, Star Trek, and the Lord of the Rings. Yes, I can even talk about the Silmarillion. And so, it should come as no surprise that I think about questions like this:

If each race from Lord of the Rings represented a type of writer,
to which race would I belong?

Of course, before I can answer that question, we need to look at what type of writer each race might represent.

lego_hobbitHobbits

Hobbits are gifted storytellers, lovers of simplicity, and they value a good party as much, or more than, a hard day’s work. As writers, they are often distracted by social engagements, but this makes their writing richer… when they get around to it. Don’t forget that the writer of The Hobbit was a hobbit.

lego_elfElves

Elves are a poetic race with a tongue that is beautiful to listen to, but difficult to understand. They compose epic poems praising high ideals and their knowledge of obscure history is secondary only to the Valar and Maiar themselves. The fact that they do not age and cannot die unless mortally wounded or heartbroken assists them in having a longer perspective than men. As writers, words come easily to them, but their high literature is not accessible and is often shunned by the mainstream. That is okay with them, as they would rather their Rivendells be hidden away from average eyes anyway.

Dwarveslego_dwarf

Dwarves are fans of action and gold. They carve stories out of the living stone of imagination, crafting complex structures that impress all who see them. They are concerned with the details and how elements fit together. Dwarves are a serious race, not grim, but focused. Every now and again though, they dig too greedily and awaken things best left asleep. As writers, they are know how tell a good, axe-wielding fight scene and have great attention to detail. Their books are often bestsellers and go on to live comfortably on the silver screen as well as they do on the page.

Menlego_man

Of all the races, men are the shortest-lived. In other words, men are entirely forgettable. Their end is a mystery, for they neither dwell in the Halls of Mandos like elves, nor return to the earth from which they sprang forth like dwarves. Being short-lived, men are often also short-sighted. As writers, men do not use outlines and often have no idea where their story will end. They simply write to see where the journey to take them.

Pukel-menlego_pukelman

Don’t remember the pukel-men? They weren’t in the movie version of LOTR, so if that is your only reference point, you won’t have any idea who I’m talking about. Technically speaking, the Pukel-men, or Drúedain,  are counted among the first men who walked on Middle-earth. They resembled Neanderthals, were friendly with Elves of the first age, and hate orcs with a passion. They are a secretive race and wish to be left in peace. In the war of the One Ring, their leader, Ghân-buri-Ghân, played a vital role, guiding the Rohirrim to the Battle of the Pelennor Fields. If that hadn’t happened, the war against Sauron would have been lost. As writers, the Pukel-men are ultra-niche, keeping to themselves, wanting no influence in the outside literary world.

Entslego_ent

Ents are a long-winded race. It takes hours to finish a sentence, days to finish a paragraph, and many seasons to tell a whole story. Though they speak slowly, they say the things that must be said. And once they get into a groove, nothing can get them off course. As writers, they are not hasty. They write slowly and thoughtfully, but their stories are always worth reading. I believe Tolkien himself had a bit of Entish blood (sap?) running through his veins, as it took him about twelve years to write LOTR.

Wizardslego_wizard

Strictly speaking, wizards aren’t writers at all, but editors. These are the wise folk who know the land, can see the needs of the time, and offer guidance to those wise enough to listen. They speak all languages and give of themselves freely for the good of the quest.

Now, I realize that these are only the main races of LOTR and that I haven’t covered any of the bad guys. Maybe I’ll do that in another post. In any case, now that I’ve laid out the races and the types of writers they represent, I must admit that I am a hobbit. I am often distracted by the happenings within my life and find it difficult to simply sit and write for hours on end. lego_gollumThough, perhaps that is for the best. Were I to become too focused on something, I may turn into another race altogether, referring to my writing as “precious” and viciously attacking anyone who came between it and I.

No, I think I am happy as a hobbit, but even more so because I am surrounded by a fellowship made up of each race. I value my writers group, the Weaklings, and know that if my quest to become a published author is to be realized, I must draw from the strengths of my companions.

What are you?

The Writing Processes of Vonnegut, Pratchett, Gorey, and Tolkien in Links

In an interview this week with a fellow blogger, I was asked who inspires me. I answered with four different authors, each chosen for a different reason (in order to find out what those reasons are, you’ll have to read the interview). This week, I decided to seek out any wisdom that my four favorites might have to share on the topic of writing.

I was introduced to the writing of Kurt Vonnegut in an ethics course offered by the Lee Honors College at Western Michigan University in my freshman year. We read Slaughterhouse Five and explored the morality represented within its pages. I’ve always enjoyed books, but I haven’t always enjoyed them when they were required reading for school. When I first read Slaughterhouse Five though, I couldn’t put it down. I think I read it twice before the due date and then again before the end of the semester. “Billy Pilgrim has come unstuck in time…” Even just talking about Vonnegut’s work now makes me want to pick up a copy and read it over again. The link here features Kurt Vonnegut’s 8 Rules for Writing. If you are a writer, I hope you click through.

It was sometime in my first year of working at Baker Book House when a coworker exposed me to the genius of Terry Pratchett. I think we were talking about sci-fi and fantasy stories when she told me that she was doing a paper for one of her literature classes on the topic of rule consistency when creating a fantasy world. “It doesn’t need to be just like it is in the real world, but it needs to be consistent within itself,” she said. She went on to tell me that she was using the works of Terry Pratchett’s Discworld series as an example of consistency. When no flicker of recognition flashed on my face, she insisted that I read some. The next day, she brought me three books. “When you finish one of these, you are going to want another to start on right away,” she said. She was right. This link is for an interview that Pratchett did a few years back, and the relevant portion for writers begins about midway down the page.

I ran across Edward Gorey in college on a random excursion with my roommate, friend, and sometime muse, Adam. Together, we would visit Barnes and Noble and search through the bargain racks for anything that looked interesting. I picked up one of the Amphigorey books and was instantly in love with the mixture of dark humor, brilliant illustrations, and tales that forced the reader to fill in the blanks with their own imaginations. Alas, I could not find any advice to authors from Edward Gorey, but this link is for his book The Unstrung Harp or Mr. Earbrass Writes a Novel, in which Gorey illustrates the creative process of novel-writing though at the time he wrote this story, he himself had never written a novel. Still, it isn’t far from the truth.

My last author for this list is actually the one that I read earliest in my life. My dad handed me a copy of The Hobbit when I was in 7th or 8th grade and told me that I might enjoy it. I devoured it. Tolkien’s style, characters, and voice drew me in (as they do for anyone who dares to read The Hobbit). After that, my dad gave me a copy of The Fellowship of the Rings which I breezed through as well. And then I hit The Two Towers and got bogged down along with Frodo and Sam in the Dead Marshes. Sadly, I set the series down for a full year before attempting another go. But by that time, I had forgotten half of the details of the story, so I decided to start the whole thing again from the beginning. The Hobbit, check. The Fellowship of the Ring, check. The Two Towers, I powered through it this time, check. After I finished The Return of the King, I was sad the journey was over. LOTR was all I could talk about with my dad for weeks. And then he asked if I knew about the Silmarillion, which I hadn’t. So I decided to start again with The Hobbit, plowed through LOTR, and picked up the Silmarillion. Oh man, I was in nerd heaven. So many things in LOTR were explained, origins of the races, where the wizards came from, what a Balrog is, tales from the first and second ages of the world before the third age (when LOTR is set)! I am helplessly a Tolkien fan, so when I saw this post on Tolkien’s 10 Tips for Writers by the wonderful blogger, Roger Colby, I knew that it was going to be good. Colby culled through Tolkien’s writings and interviews where he discussed his craft and came up with a solid list for writers to use as a reference. Be sure to check it out, as well as the rest of his site.

How I did this week. Also, fun links!Last, for my writing report card, I’m going to give myself a B+ for the week.

I got the most hits in one day to date on Wednesday, I did a blog swap with another blogger, and I had fresh content everyday. The only thing was that I didn’t get a chance to write much on my novel, but I’m not going to let that get me down. Good job, me!