I am in favor of genre-bending.

When I was a kid, hosting a sleepover was about the coolest thing you could do. I loved having my friends over, eating pizza, drinking sugary drinks, playing games, and staying up way too late. Now that I have kids of my own, I’m not as excited about the idea of hosting them for my own kids. I suppose that’s just part of being a parent. Anyway, of the sleepover traditions that I remember, the suicides stand out vibrantly.

A “suicide” was when you played the mad scientist and mixed all of the beverages together. For the most part, the result was still a drinkable concoction. Sometimes, it was even quite good.

warm_bodiesMy wife and I just saw Warm Bodies the other night. I grabbed it from the library on a friend’s recommendation knowing very little about the film itself.

If you haven’t heard anything about it, Warm Bodies is an zombie-action-romantic-comedy loosely based on Shakespeare’s Romeo and Juliet. Seriously. And, like some of the “suicides” of my younger days, the result of mixing elements was quite good.

I guess I’m a fan of messy lines around genres.

Take the books of Jasper Fforde, for instance. His Tuesday Next series mixed elements of classic literature, science fiction, time-travel, and mystery. The Nursery Crime books are basically police procedurals populated by Mother Goose’s characters. And both series are quite funny as well.

The late Terry Pratchett was likewise a master of mixing things up with his Discworld books, placing fantasy characters in a classical London-like setting and adding elements of current technological or philosophical debates.

When done well, the whole is much more than the sum of the parts. When done poorly, the result is like a “suicide” gone wrong.

Do you have any favorite books or movies that don’t fit cleanly into a specific genre?

I am a bigger fan of a book with a witch protagonist than a lot of Christian books.

I realize that’s a long title. It also may be a bit shocking to my Christian readers, especially considering the fact that I am a Christian.

9780061340802The book series that I’m referencing in the title is the Tiffany Aching series by Terry Pratchett. The first of which is Wee Free Men.

So what do I like about Tiffany Aching that I don’t like about most Christian books? Personal responsibility.

In Pratchett’s Discworld books, witches are the nurses/midwives/judges/wise-women of the community. They are the ones that will do what needs to be done, regardless of whether it is popular or not. They visit the sick, feed the poor, and help the helpless. Let’s be honest, if Jesus Christ was born on the Discword, there’s a good chance that he would have been a witch.

But the thing about Tiffany Aching, even among the other witches in her world, is that she will never pass the buck when something is her fault. She accepts the responsibility for her actions, for her mistakes, and for her ignorance.

I think one of the most dangerous aspects of Christianity is in the ability to pass off responsibility to other people or to God himself. It is too simple to say that some horrible thing is acceptable because it is God’s will that it should be that way. We avoid helping people because God is probably punishing them for some sin in their life. And the thing is this: I can’t say that God’s will isn’t for bad things to happen or for people to be punished for their sins.

But using God’s will as a cover for avoiding personal responsibility only reinforces the belief among atheists and agnostics that Christians are more concerned with their comfort and their appearances than they are with the people we were called to reach.

So if you want a good book series for your kids to read that will encourage them to love other people as God loves the church, find a Tiffany Aching book and embrace your inner Discworld witch.

10 Fantasy Series and Their Rules for Magic

When I started writing, I expressed to a well-read friend of mine that I was a fan of the fantasy genre. She told me that if I ever hoped to write fantasy, one of the most important things to do was to develop the rules for my world and then stick to them. She cited Terry Pratchett’s prolific Discworld series, saying that while the series follows a wide cast, Pratchett follows a consistent set of rules.

“The world is flat and rests on the back of four elephants standing on a giant turtle floating through space,” she said. “It may be strange, but it is part of Pratchett’s rules.”

Today, we’ll take a look at 10 Fantasy Series and Their Rules for Magic.

The Harry Potter Series by J. K. Rowling

“I don’t believe in the kind of magic in my books. But I do believe something very magical can happen when you read a good book.”
J.K. Rowling

In the magical world of Harry Potter, people are either magical or Muggles (non-magical). They are born this way. One cannot become a witch or wizard any more than one could become a cat. Of course, Animagi, or witches and wizards who have an aptitude to transfiguration, may be able to become cats. Magic is performed by spoken word (in most cases) and requires a wand (in most cases).

The Lord of the Rings by J. R. R. Tolkien

“I have not used ‘magic’ consistently, and indeed the Elven-queen Galadriel is obliged to remonstrate with the Hobbits on their confused use of the word both for the devices and operations of the Enemy, and for those of the Elves. I have not, because there is not a word for the latter (since all human stories have suffered the same confusion). Their ‘magic’ is Art, delivered from many of its human limitations: more effortless, more quick, more complete (product, and vision in unflawed correspondence). And its object is Art not Power, sub-creation not domination and tyrannous re-forming of Creation. The ‘Elves’ are ‘immortal’, at least as far as this world goes: and hence are concerned rather with the griefs and burdens of deathlessness in time and change, than with death. The Enemy in successive forms is always ‘naturally’ concerned with sheer Domination, and so the Lord of magic and machines; but the problem: that this frightful evil can and does arise from an apparently good root, the desire to benefit the world and others*—speedily and according to the benefactor’s own plans—is a recurrent motive.”
J.R.R. Tolkien

There are precious few wizards in the Lord of the Rings series and you have to read The Silmarillion in order to understand the rules of magic in Middle Earth. The world was created through song by Eru (the One), also called Ilúvatar (Father of All), who first created the Ainur, similar in power and function to the Greek pantheon, with specific Ainur in control of the air, water, earth, and afterlife. The greater Ainur were called the Valar, the lesser were called the Maiar. Together, they helped create (and re-create) the world before the coming of elves (the first folk), dwarves, and men. The wizards of Middle Earth are members of the Maiar, as are Balrogs (makes the fight scene where Gandalf falls through fire and death a little more meaningful, doesn’t it?), and in fact, so is Sauron. Magic, then, is performed by beings that are closer to gods than men.

The Chronicles of Narnia by C. S. Lewis

“‘But what does it all mean?’ asked Susan when they were somewhat calmer.
“It means,’ said Aslan, ‘that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of Time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backwards.'”
C.S. Lewis, The Lion, the Witch, and the Wardrobe

Evil is loosed upon Narnia when a pair of hapless children bring a witch from Charn through Earth and to the dawn of Narnia’s time. The magic that happens here seems to be of a mostly innocuous kind, and there are few who seem able to work it. The witch has the power to turn living creatures into stone. Aslan, the lion/creator of Narnia, can bring stone creatures back to life. And there is a wizard along the voyage of the Dawn Treader who has a book of magic and is able to render creatures invisible. Oh, and a magical bracelet transforms a boy into a dragon. The magic of Narnia is used sparingly and is not the main plot driver of the series, as it seems that only a few with an inherent ability use it.

The Books of Beginning by John Stephens

“It’s well known in Hollywood that if you want someone to write a conniving, back-biting seventeen-year-old, you get John Stephens on the phone. The only thing that set the Countess apart from others I’ve written was that she had magical powers.”
John Stephens

In The Emerald Atlas, three children are thrust into an adventure through time by the aid of one of three books of magic. Each child is somehow connected to one of these three books, and by them, the children wield a specific type of magic, though they were not born as magical beings. Led by a wizard, and battling against witches and those who would use magic to subjugate normal humans, the main theme of the series is more about equal rights for different people than is about how cool having power is. The magic in the Books of Beginning series is regarded as a power that must be held in check to ensure the safety and happiness of all people.

The Bartimaeus Trilogy by Jonathan Stroud

“Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can’t see one.”
Jonathan Stroud

Nathaniel is a magician’s apprentice in a world where magicians rule supreme. This dark series focuses on Nathaniel’s adventures with the djinn, Bartimaeus, his servant from the underworld, enemy, and friend. Magic is not performed by wand, but is achieved by summoning greater or lesser demons to do your bidding. If a magician is not careful though, he might find himself at the demon’s mercy (and demons aren’t known for their mercy).

Tiffany Aching: A Story of Discworld by Terry Pratchett

“It’s still magic even if you know how it’s done.”
Terry Pratchett, A Hat Full of Sky

On the Discworld, there are two main approaches to magic. There are the wizards of Unseen University who use magic, largely, as a replacement for technology. And there are the witches, who use magic sparingly (because magic is dangerous, what with the things from the other side always trying to break through the rift). In the Tiffany Aching series, set on Discworld and meant for a younger reader, the main character is a witch coming into her witchhood with help from her mentor Miss Tick (get it?) and the Nac Mac Feegle, tiny blue skinned fighters/drinkers/kilt-wearers. Magic for Tiffany is a means to defend normal people against magical enemies, and is performed by sheer force of will.

The Wingfeather Saga by Andrew Peterson

“There’s just something about the way he sings. It makes me think of when it snows outside, and the fire is warm, and Podo is telling us a story while you’re cooking, and there’s no place I’d rather be–but for some reason I still feel… homesick.”
Andrew Peterson, On the Edge of the Dark Sea of Darkness

In his first children’s fantasy series, musician, Andrew Peterson, writes with equal parts humor and suspense. His series focuses on the three children of the Igiby family and the secrets that make them targets for the evil Fangs of Dang. Magic is a minor part of this series, but the few appearances that it does make are momentous. The most common form of magic usage, appropriately enough, given Peterson’s more famous creative outlet, is through music.

The Inheritance Cycle by Christopher Paolini

“You would be amazed how many magicians have died after being bitten by mad rabbits. It’s far more common than you might think.
-Angela the Herbalist”
Christopher Paolini, Brisingr

When Eragon unwittingly hatches a dragon egg, he is swept into a world a danger, dragons, and magic. There are a few different races in the world of Alagaësia, but aside from a relative few humans, the knowledge of magic resides with the elves. Its use is conducted through an ancient language and exacts a physical toll on the user, thus anything you do by magic would feel as though you had done it without magic. If a user were to cast a spell that required more energy than the user possessed, he would die. Fortunately, dragon riders and others can tap into the life force of those around them to share the burden of using magic. Of course, this also opens the possibility of expending their life force, but magic is a dangerous game.

Fablehaven by Brandon Mull

“I was vanquished by a deer!’
A giant magical flying deer with fangs,’ Seth said, parroting a description Gavin had shared earlier.
That sounds a little better,’ Warren conceded. ‘Seth is in charge of my tombstone.”
Brandon Mull, Secrets of the Dragon Sanctuary

Meet Seth and Kendra Sorenson, children pulled into a world of magic sanctuaries. In this series, magical creatures have been confined to reserves spread across the continents. Along the way, Kendra develops a special relationship with the fairies of the world, while her brother Seth develops his own relationship with demons. Magic here is woven into the nature of each creature, and in rare circumstances, certain attributes can be transferred to normal humans.

The Old Kingdom Trilogy by Garth Nix

“‎”It always seemed somehow less real here… a really detailed dream, but sort of washed out, like a thin watercolor. Softer, somehow, even with their electric light and engines and everything. I guess it was because there was hardly any magic.”
Garth Nix, Lirael

In the world that Nix creates, the line between magic and non-magic follows the boundary between the Old Kingdom and the New. In the Old Kingdom, there are three main families of magic, the Abhorsens, the Clayr, and the Wallmakers. Sabriel follows the title character in her journey to become the Abhorsen, a person who crosses over into Death to perform her magic. In Lirael, the title character shows the world of the Clayr, largest of the magical families whose job it is to look into the future. And in the final book, Abhorsen, we learn more about the Wallmakers, as well as the royal family, which is where the “kingdom” part comes in. In his trilogy, Nix has his characters perform magic with the aide of bells and pipes, but there are some free magic creatures as well, to whom the normal rules of magic do not necessarily apply.

Hopefully, this has been some help in showing you the different types of magic one can find across the fantasy genre. Certainly, there are more options than just these for how magic might work, but these are the ones that I one or have read.

What is your favorite series with magic? How is the magic controlled?

8 Questions | Meet Author M. I. McAllister

M. I. McAllister

A while back, I reviewed the first book in the Mistmantle Chronicles by M. I. McAllister, Urchin of the Riding Stars. I’ll save you the time of reading the review and tell you that it was an excellent book.

I wanted to thank the author for writing it, so I found her website and sent off an email of thanks and a link to my review.

I really didn’t expect to hear anything back, but the next day, I got a message in my inbox from Margi McAllister herself! We’ve written back and forth a couple of times since, so I asked if I could interview her on my blog. She kindly consented.

Here are the questions I asked:

– What does your writing space look like?

– What passes through your brain when you see one of your books on the shelf at a bookshop?

– What do you want people to know about your aside from your writing?

– How did you get into writing?

– Any advice for other writers?

– What would you do if you could no longer write books?

– If you could have an afternoon with a character from one of your books, who would you choose? Why?

– What book is on your nightstand at the moment?

Here are her responses:

My writing space at present is tucked away at the top of the house.  We have a converted attic, which is one long room divided up by the furniture.  At one end is my daughter’s room (she’s grown up and lives away from home, so she’s not often there,)  at the other end is my study, and in between is the Pink Sitting-Room where men are only allowed if they take off their shoes and promise not to talk about football.

The laptop sits on a rather elegant writing bureau which I bought for very little in an antique market, and there are masses of deep bookshelves, crammed solid.  It looks untidy, but I know which heap everything is in!  The clutter is more to do with the work I do for children’s clubs and school visits.  And when I look up from the desk I have a beautiful view of the moors.

You ask about what passes through my mind when I see one of my books in a shop.  There’s a little jump of my heart to see that they’ve got it, followed by – why haven’t they sold that yet?

What do I want people to know about me apart from my writing?  Not a lot, really, except my storytelling sessions!  Anything I do want to talk about is on the blog, which is From The House of Stories (you can find it through the website at www.margaretmcallister.co.uk .  Things I want to share – about faith, about the things I care about, about what’s going on nationally or locally, and anything I find funny – are all in there.  I’m passionate about justice, and about doing the best for children.  I’m blessed to have lived in and visited some blessed and beautiful places, and I like sharing them.  I love gardens, history, and wildlife.  Of course my family are more than vital to me, but I don’t want my children’s privacy invaded so I’m a bit cautious in what I say about them.

I’ve always written.  I was born that way, and I can’t help it.  That’s my defense, and I’m sticking with it.  At school I was always writing things, (usually when I was supposed to be something else) and I have a great record of failing to get published.  Then, when my youngest son started school, I took an evening class in writing short stories.  That led to me getting stories published in magazines, which gave me confidence to write my first book, A Friend for Rachel, later renamed The Secret Mice.

For other writers – read.  Read.  Read more.  If you like a book, what made it work for you?  If you didn’t, what was wrong with it?  Don’t just think about writing, do it.  And don’t wait for inspiration.  Just write.

What would I do if I could no longer write?  I often wonder about this!  I use to say I’d retrain in geriatric care – lots of people want to look after little children, but there’s nothing so attractive about looking after elderly, and they’re so important.  But since injuring my back, I don’t think I  could do all that heavy lifting.  I’d have to go back to one of the jobs I’ve done before – home tutoring, adult education, caring for a beautiful old building, working in a retreat house, or washing up in a coffee shop – I’m not too proud to get my hands dirty!

Which of my characters would I like to spend an afternoon with?  What a great question!  It’s not one I’ve ever considered before.  Kazy Clare from Hold My Hand and Run would be great company.  I admire Thomasin from High Crag Linn enormously, but she can be a bit prickly.  I’d love to spend an afternoon with Fingal, because he makes me laugh, or Urchin with all those adventures to talk about.   Or Sepia – she’s a calm, gentle person, but so tough inside.  But if I could only choose one, it would have to be Crispin.  The hero’s hero.  He has such experience and wisdom, such a strong centre, and a way of noticing more than he lets on.  And a perfect gentle-squirrel.  (Do you think we could meet in Fir’s turret, so he could be there, too?  He contains elements of people who were very dear to me.)

What am I reading just now?  Several things at once.  An Aspect of Fear, by Grace Sheppard, who was the wife of the Bishop of Liverpool.  She was agoraphobic, and wrote from her experiences of dealing with fear while filling a public role.

I love anything by Simon Parke, who writes with authority about quietness, meditation, and the need to embrace simplicity.  The book of his I have on the go just now is The Beautiful Life.  I heard him speak at Greenbelt Christian Arts Festival a few years ago.

My younger son introduced me to the works of Terry Pratchett, and I LOVE Discworld!  They are clever, moving, great page-turners, and actually have some depth.  Did I mention that they’re laugh out loud funny?  Just now I’m reading Lords and Ladies.  A unicorn just got lost on the way through a stone circle.  As Granny Weatherwax would say, oh deary, deary me.

I normally edit things so they follow more of a question/answer format, but I didn’t want to risk editing out the beautiful answers that Margi gave.

I sincerely hope that you’ll go out and buy as many of her books as you can carry. Thanks for reading!

The Writing Processes of Vonnegut, Pratchett, Gorey, and Tolkien in Links

In an interview this week with a fellow blogger, I was asked who inspires me. I answered with four different authors, each chosen for a different reason (in order to find out what those reasons are, you’ll have to read the interview). This week, I decided to seek out any wisdom that my four favorites might have to share on the topic of writing.

I was introduced to the writing of Kurt Vonnegut in an ethics course offered by the Lee Honors College at Western Michigan University in my freshman year. We read Slaughterhouse Five and explored the morality represented within its pages. I’ve always enjoyed books, but I haven’t always enjoyed them when they were required reading for school. When I first read Slaughterhouse Five though, I couldn’t put it down. I think I read it twice before the due date and then again before the end of the semester. “Billy Pilgrim has come unstuck in time…” Even just talking about Vonnegut’s work now makes me want to pick up a copy and read it over again. The link here features Kurt Vonnegut’s 8 Rules for Writing. If you are a writer, I hope you click through.

It was sometime in my first year of working at Baker Book House when a coworker exposed me to the genius of Terry Pratchett. I think we were talking about sci-fi and fantasy stories when she told me that she was doing a paper for one of her literature classes on the topic of rule consistency when creating a fantasy world. “It doesn’t need to be just like it is in the real world, but it needs to be consistent within itself,” she said. She went on to tell me that she was using the works of Terry Pratchett’s Discworld series as an example of consistency. When no flicker of recognition flashed on my face, she insisted that I read some. The next day, she brought me three books. “When you finish one of these, you are going to want another to start on right away,” she said. She was right. This link is for an interview that Pratchett did a few years back, and the relevant portion for writers begins about midway down the page.

I ran across Edward Gorey in college on a random excursion with my roommate, friend, and sometime muse, Adam. Together, we would visit Barnes and Noble and search through the bargain racks for anything that looked interesting. I picked up one of the Amphigorey books and was instantly in love with the mixture of dark humor, brilliant illustrations, and tales that forced the reader to fill in the blanks with their own imaginations. Alas, I could not find any advice to authors from Edward Gorey, but this link is for his book The Unstrung Harp or Mr. Earbrass Writes a Novel, in which Gorey illustrates the creative process of novel-writing though at the time he wrote this story, he himself had never written a novel. Still, it isn’t far from the truth.

My last author for this list is actually the one that I read earliest in my life. My dad handed me a copy of The Hobbit when I was in 7th or 8th grade and told me that I might enjoy it. I devoured it. Tolkien’s style, characters, and voice drew me in (as they do for anyone who dares to read The Hobbit). After that, my dad gave me a copy of The Fellowship of the Rings which I breezed through as well. And then I hit The Two Towers and got bogged down along with Frodo and Sam in the Dead Marshes. Sadly, I set the series down for a full year before attempting another go. But by that time, I had forgotten half of the details of the story, so I decided to start the whole thing again from the beginning. The Hobbit, check. The Fellowship of the Ring, check. The Two Towers, I powered through it this time, check. After I finished The Return of the King, I was sad the journey was over. LOTR was all I could talk about with my dad for weeks. And then he asked if I knew about the Silmarillion, which I hadn’t. So I decided to start again with The Hobbit, plowed through LOTR, and picked up the Silmarillion. Oh man, I was in nerd heaven. So many things in LOTR were explained, origins of the races, where the wizards came from, what a Balrog is, tales from the first and second ages of the world before the third age (when LOTR is set)! I am helplessly a Tolkien fan, so when I saw this post on Tolkien’s 10 Tips for Writers by the wonderful blogger, Roger Colby, I knew that it was going to be good. Colby culled through Tolkien’s writings and interviews where he discussed his craft and came up with a solid list for writers to use as a reference. Be sure to check it out, as well as the rest of his site.

How I did this week. Also, fun links!Last, for my writing report card, I’m going to give myself a B+ for the week.

I got the most hits in one day to date on Wednesday, I did a blog swap with another blogger, and I had fresh content everyday. The only thing was that I didn’t get a chance to write much on my novel, but I’m not going to let that get me down. Good job, me!

Flash Fiction | Thom & Tom: Weight for Me

I am taking a week off from book reviews. I hope that’s okay. I haven’t had much time to read lately. Instead, I’m doing something new.

Yesterday, I introduced a couple more characters from my Thom & Tom flash fiction series and I mentioned that I’d share a story. Well, here I am making good on that promise.

Thom is a squirrel. Thom is invisible. That's kind of their thing.

Here’s some proof that I’m not an artist.

Before I post it though, I feel the need to explain the format a bit. My original vision for the series was to be along the lines of an Edward Gorey book, with a picture above each line of text, though each line of my text would have footnotes (like Terry Pratchett does, though he does not do them for every line) and the footnotes themselves would have footnotes.

I’m a terrible artist, so you’ll just have to imagine that there are pictures here. If you are an artist with a knack for anthropomorphic forest animals and you have nothing better to do with your time, give me a jingle and we could make some sweet money together.

Okay then, here we go.

The Misadventures of Thom and Tom: Weight for Me

By Josh Mosey

There once lived a squirrel named Thom.*
*The h is silent, but not invisible.

Thom lived in a tree house with his roommate, Tom.*
*Tom is not silent, but is invisible.

One morning, during his morning ritual*, Thom saw something frightening on his bathroom scale.**
*Thom’s morning ritual consists of: hitting the snooze button twice before turning off his alarm clock, using the lavatory, going back to bed, realizing that he shouldn’t have gone back to bed, taking a shower, weighing himself, eating some breakfast, throwing something at Tom, having a cup of chai, and getting on with his day.***
**It isn’t very nice to be frightened by anything that soon after you’ve woken up.  It’s just not a good way to start the day.
***Getting dressed is not part of the ritual because squirrels don’t wear clothes.  That would be silly.

It was his weight.*
*About 2 lbs. more than normal.**
**Which is drastically overweight for a 1 lb. squirrel.

The first question Thom asked was, “Who do I blame?”*
*An important first question.

Thom immediately dismissed the possibility that he was somehow at fault.*
*Who starts by blaming themselves?**
**Not Thom.

Thom’s next target was the media.*
*Not so much because the media portrays “big” as “beautiful,” but because Thom watches a lot of television.**
**And when Thom watches television, he eats.

But was it just the media’s fault?*
*Thom (and everyone else too) likes to spread the blame around.

Now that he thought of it, the grocery store was having a lot of sales recently.*
*Sneaky grocery store.

But that doesn’t even take into consideration Thom’s friends.*
*Tom is especially bad, with his “let’s see how much food Thom can fit in his mouth” game.**
**Tom likes to play this while Thom is sleeping.***
***Thom doesn’t like to play while Thom is sleeping.

And then a thought occurred to Thom.*
*Two thoughts actually, but only one was relevant to this story.**
**The other thought was, “I wonder how much I would have to pay a stranger to walk around yelling, ‘Free the Colors!’ all day long.  That would be funny.”

Thom thought, “Why not blame the food itself?”*
*Go to the source.

Just then, Tom stumbled* out of his room…**
*Stumbling is just one of Tom’s many talents.
**Tom usually stumbles out about five minutes after being hit with whatever Thom threw at him.***
***See sentence break 3 for more details about Thom’s morning ritual.

And solved the issue with only a few words.*
*A roommate’s abilities are sometimes uncanny.

Tom said, “It’s winter.  I hate winter.”* **
*During the winter, squirrels store up fat reserves so they can survive the season when they cannot find as much food.
**I hate winter too.

The End*
*Of this story.**
**Not the world.***
***I hope.

So, there you go. A real Thom & Tom story. Merry Christmas.

Meet the Cast Tuesday | Thom and Tom

Thom and Tom are the titular characters of my flash fiction series.

I first came up with the idea for their characters on a slow night at the bookstore, six or so years ago. At the time, Thom was an anthropomorphic monkey. The first story started like this:

There once lived a monkey whose name was Thom.*

*The h is silent, but not invisible.

I had been reading a lot of Terry Pratchett books at the time, and I really liked his use of footnoting back story and explanations. I continued on from there.

Thom lived in a tree house with his roommate, Tom.*

*Tom is not silent, but is invisible.

In order to be a successful pairing, roommates should be quite different. I know this has proven true in my own experiences. So, I flipped the footnote, which gave me the idea for a whole story. Thom is my straight man, and Tom is my crazy, invisible character.

Somewhere along the line, Thom became a squirrel. I think it was around the time that the Curious George movie came out and everything had been monkey-related. I didn’t want Thom to be typecast before he got his chance to shine, but I still liked the tree house. What other animal could anthropomorphically enjoy living in a tree house? That’s right, a squirrel.

What is Tom then? He’s invisible. So is he a ghost? No. Is he imaginary? No.

And now you know the main characters of my flash fiction stories. Each one starts with the same two lines.*

*and footnotes.

Next week, we’ll meet the main character of the novel that I’m currently working on.