My wife and I both get out at 5:00 PM. She picks up our daughter from her parent’s house on the way home from her work, and I get dinner started since I get home first. We always call each other and talk on the way home (driving safely, of course). But yesterday, my phone died just as I was pulling onto our street.
I got home a few seconds later and went about my routine (let the dog out, get the mail, take care of my lunch bag, start dinner). By the time I got my phone plugged in to call my wife back, she was almost home.
“Monkers,” she said to me, “Did you happen to turn on NPR after your phone died?”
I told her that I did not.
“Because I heard something on the radio that made me think of you.”
She proceeded to tell me about a free class being offered by the University of Michigan that had to do with Fantasy something-or-other. My wife knows that I would like to go back to school at some point and get some formal training in writing. I graduated a few years back from Western Michigan University with a degree in Recreation and a minor in Communication. It wasn’t until after I graduated that I took up a serious interest in writing.
“I’d really like to look into that,” I said.
So I did.
The class is called Fantasy and Science Fiction: The Human Mind, Our Modern World. It doesn’t look like a specifically “writing” course, but it looks great all the same.
Here’s a description from the sign-up page:
Fantasy is a key term both in psychology and in the art and artifice of humanity. The things we make, including our stories, reflect, serve, and often shape our needs and desires. We see this everywhere from fairy tale to kiddie lit to myth; from “Cinderella” to Alice in Wonderland to Superman; from building a fort as a child to building ideal, planned cities as whole societies. Fantasy in ways both entertaining and practical serves our persistent needs and desires and illuminates the human mind. Fantasy expresses itself in many ways, from the comfort we feel in the godlike powers of a fairy godmother to the seductive unease we feel confronting Dracula. From a practical viewpoint, of all the fictional forms that fantasy takes, science fiction, from Frankenstein to Avatar, is the most important in our modern world because it is the only kind that explicitly recognizes the profound ways in which science and technology, those key products of the human mind, shape not only our world but our very hopes and fears. This course will explore Fantasy in general and Science Fiction in specific both as art and as insights into ourselves and our world.
This course comprises ten units. Each will include a significant reading, typically a novel or a selection of shorter works. I will offer video discussions of each of the readings and also of more general topics in art and psychology that those readings help illuminate. Each unit will include online quizzes and ask you to write a brief essay offering your own insights into the reading. All the readings except Ray Bradbury’s The Martian Chronicles and Ursula K. LeGuin’s The Left Hand of Darkness will be available online at no charge.
The professor is Eric S. Rabkin. Again, from the sign-up page:
Eric S. Rabkin is Arthur F. Thurnau Professor, Professor of English Language and Literature, and Professor of Art and Design at the University of Michigan. He has won numerous teaching awards, including the Golden Apple awarded annually by the students to the outstanding teacher at the University of Michigan. His research publications include the first English-language theoretical discussion of fantasy and the second of science fiction. He has won the Science Fiction Research Association’s Pilgrim Award for lifetime contributions to science fiction criticism.
And the class really is free.
I signed up last night. You can sign up here. Who’s going to join me?